THE CLIFFS
On a secluded bluff overlooking the ocean sits a Victorian house, lavender with gingerbread trim, a home that contains a century's worth of secrets. By the time Jane Flanagan discovers the house as a teenager, it has long been abandoned. The place is an irresistible mystery to Jane. There are still clothes in the closets, marbles rolling across the floors, and dishes in the cupboards, even though no one has set foot there in decades. The house becomes a hideaway for Jane, a place to escape her volatile mother.
Twenty years later, now a Harvard archivist, she returns home to Maine following a terrible mistake that threatens both her career and her marriage. Jane is horrified to find the Victorian is now barely recognizable. The new owner, Genevieve, a summer person from Beacon Hill, has gutted it, transforming the house into a glossy white monstrosity straight out of a shelter magazine. Strangely, Genevieve is convinced that the house is haunted--perhaps the product of something troubling Genevieve herself has done. She hires Jane to research the history of the place and the women who lived there. The story Jane uncovers--of lovers lost at sea, romantic longing, shattering loss, artistic awakening, historical artifacts stolen and sold, and the long shadow of colonialism--is even older than Maine itself.
Enthralling, richly imagined, filled with psychic mediums and charlatans, spirits and past lives, mothers, marriage, and the legacy of alcoholism, this is a deeply moving novel about the land we inhabit, the women who came before us, and the ways in which none of us will ever truly leave this earth.
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PRAISE FOR THE CLIFFS
Kirkus Starred Review - May 16, 2024
Sullivan artfully and astutely engages with difficult topics in this absorbing, affecting novel.
A novel about a woman, a house, and the history that haunts them.
Jane Flanagan, who lives in Awadapquit, Maine, with her alcoholic mother and chip-off-the-old-block sister, is in high school when she first sees the house, perched on a cliff overlooking the water. Deserted, rotting, and creepy, but boasting colorful turrets and an abiding sense of mystery, the abandoned Victorian home fascinates Jane. It becomes her refuge, where she can escape her life’s hassles and feel at peace. Eventually, Jane goes to college (Wesleyan) and gets a graduate degree in American history (Yale). She lands her “dream job” as an archivist at Harvard and her dream husband, a handsome, kind economics professor who runs marathons and bakes. Then, in one boozy blowout of a night not long after her mother’s death, Jane explodes her whole dreamy life. When she returns to Awadapquit to ready her mother’s cluttered home for sale and contend with her equally messy legacy, Jane connects with Genevieve Richards, a wealthy woman who’s bought the old house and, while renovating, heedlessly bulldozed its history. Has Genevieve stirred up the property’s ghosts? Hired by Genevieve to unearth the house’s secrets and its often painful past, Jane must contend with her own. Sullivan—whose bestsellers include, most recently, Friends and Strangers (2020)—writes with her usual compassion, insight, and sensitivity, creating multidimensional characters about whom, even as they make regrettable mistakes, the reader unwaveringly cares. She also tells a broader story of America’s complicated history, weaving in accounts of Indigenous and Shaker women, and poses powerful questions about how to right the wrongs of the past.
— Kirkus Reviews
"The Cliffs is a stunning achievement, and J. Courtney Sullivan's best book yet. Sullivan weaves a narrative that's fascinating and thought-provoking. I literally could not put this book down."— Ann Napolitano, New York Times best-selling author of Hello Beautiful
"J. Courtney Sullivan is so skilled at multi-threaded narratives, and this is her most ambitious book yet. Weaving together the stories of women in Maine over centuries, this novel is about maternal loss and trauma, the idea of home, and most affecting, the stories that remain untold." — Emma Straub, New York Times best-selling author of This Time Tomorrow
“Sullivan is a shrewd and sympathetic observer of our current cultural moment, with an unerring eye for the way that the unspoken realities of money and class can affect even our most intimate relationships.” — Tom Perrotta, New York Times best-selling author of The Leftovers
“I have long been a fan of J. Courtney Sullivan’s insightful and rich novels . . . Sullivan has a stunning ability to capture the tenderness and frailty of human relationships.” — Taylor Jenkins Reid, New York Times best-selling author of Daisy Jones & The Six
“Sullivan is a writer of extraordinary gifts . . . [She] offers up small human moments and large social ones, all within the frame of a truly good story.” — Meg Wolitzer, New York Times best-selling author of The Female Persuasion